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	<title>Guitars, Drums, Tones, and Saxophones &#187; dillinger four</title>
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		<title>Dillinger Four &#8211; C I V I L W A R (2008)</title>
		<link>http://johnrflynn.com/blog/2008/10/29/dillinger-four-c-i-v-i-l-w-a-r-2008/</link>
		<comments>http://johnrflynn.com/blog/2008/10/29/dillinger-four-c-i-v-i-l-w-a-r-2008/#comments</comments>
		<pubDate>Wed, 29 Oct 2008 13:20:26 +0000</pubDate>
		<dc:creator>John</dc:creator>
				<category><![CDATA[Review]]></category>
		<category><![CDATA[dillinger four]]></category>

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		<description><![CDATA[Despite having relatively few proper releases for a band of their longevity, Minneapolis&#8217;s Dillinger Four are beloved in the punk community. It&#8217;s easy to see why- the band is gracious to their fans, they put on a legendary live show, and above all, the music is consistently great. Their last full-length, Situationist Comedy, came in [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_25" class="wp-caption alignleft" style="width: 210px"><a href="http://johnrflynn.com/blog/wp-content/uploads/2008/10/civilwar_copy1.jpg"><img class="size-full wp-image-25" title="civilwar_copy1" src="http://johnrflynn.com/blog/wp-content/uploads/2008/10/civilwar_copy1.jpg" alt="Dillinger Four - C I V I L W A R (2008)" width="200" height="200" /></a><p class="wp-caption-text">Dillinger Four - C I V I L W A R (2008)</p></div>
<p>Despite having relatively few proper releases for a band of their longevity, Minneapolis&#8217;s Dillinger Four are beloved in the punk community. It&#8217;s easy to see why- the band is gracious to their fans, they put on a legendary live show, and above all, the music is consistently great.</p>
<p>Their last full-length, <em>Situationist Comedy</em>, came in 2002. Since then, the boys of D4 have been pretty quiet. As Paddy explained in <a href="http://www.punknews.org/article/31034" target="_blank">a recent interview</a>, two of the band members have day jobs that make recording and touring difficult (one owns the Triple Rock Social Club, as made more famous in NOFX&#8217;s &#8220;Seeing Double at the Triple Rock;&#8221; another is a licensed psychiatrist), so that explains the prolonged down-time between that album and this. The question is, of course, was it worth the wait?<span id="more-24"></span></p>
<p>The answer is, of course. Dillinger Four has lost nothing in the time between <em>Situationist Comedy</em> and <em>C I V I L W A R</em>.</p>
<p>Yes, I will type it like that consistently.</p>
<p>The album has all the hallmarks of classic D4- great vocals and harmonies, fun yet hard-hitting pop-punk melodies, great lyrics, and ridiculous song titles. A couple of favorites in the last category: &#8220;parishiltonisametaphor,&#8221; &#8220;Clown Cars on Cinder Blocks,&#8221; &#8220;Minimum Wage is a Gateway Drug.&#8221; That last one is, to me, up there with &#8220;Super Powers Enable Me to Blend in With Machinery&#8221; for great D4 songs titles. And thankfully, the songs all live up to their names (and the names- at least in spirit- are related to the topic of the song); &#8220;Gainesville&#8221; in particular is a great, slower song that is pretty hard to read as anything but a love letter to the annual Fest shows down in the titular city. And the trade-off vocals of &#8220;Like Eye Contact in an Elevator&#8221; will bury themselves in your head for days.</p>
<p><em>C I V I L W A R</em> is a great record. It will no doubt please everyone who has been longing for D4 to make a follow-up to <em>Situationist Comedy</em>. While it does not hit the high point that their debut LP, <em>Midwestern Songs of the Americas</em> did, it&#8217;s an outstanding addition to their catalog. Hopefully we won&#8217;t have to wait another 6 years for the next one.</p>
<p><strong>Rating</strong>: 4 stars</p>
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